"San Francisco Examiner," August 29, 1903, via Newspapers.com
It seems inevitable that rich, powerful families attract any number of strange incidents. Dysfunction abounds, perhaps as the Universe's way of balancing out all those material advantages. It's unusual, however, for one relatively small family of wealth to become famed for internal feuds, mental illness, odd disappearances,
This is the story of an 1889 painting, a mysterious stone wall, and a religious institution that occupied part of today’s Central Park in the mid-19th century—before the park was even in the planning stages. It starts with Impressionist painter William Merritt Chase. He was dubbed the “artistic interpreter” of Central Park and Prospect Park […]
Jeff and Joe
Soapy Smith buries Joe Simmons
The Illustrated Police News
April 9, 1892
(Click image to enlarge)
was a tall, slender gambler
known to many as “Gambler Joe” Simmons, a member of the Soap
Gang who managed Soapy Smith's Tivoli Club in Denver, 1890, and Soapy's Orleans
Club in Creede, 1892. According to William Devere’s poem "Two Little Busted Shoes," Simmons
Adolph Stein was a 35year-old Polish immigrant living in Cedar Rapids, Iowa when he met Lizzie Loering, a widow with two little children and $30,000 in assets. After a whirlwind courtship, the two were married in June 1880.
Stein had been prominent in political circles in Cedar Rapids, but earlier that spring he was indicted for illegally selling liquor. He decided to move his new bride to
20th [July 1775]. Mr. Carpenter was taken by the night Patrole — upon examination he had swum over to Dorchester and back again, was tried here that day and sentence passed on him to be executed the next day, — his coffin bro’t into the Goal-yard, his halter [noose] brought and he dressed as criminals […]
[Editor’s note: Guest writer, Peter Dickson, lives in West Sussex, England and has been working with microfilm copies of The Duncan Campbell Papers from the State Library of NSW, Sydney, Australia. The following are some of his analyses of what he has discovered from reading these papers. Dickson has contributed many transcriptions to the Jamaica Family […]
In August 1842, a sensational new curiosity called the Feejee Mermaid was exhibited at P. T. Barnum’s American Museum in New York City. [more]
Though it was advertised throughout the country with pictures of traditional, topless female mermaids, the real Feejee Mermaid looked more like an unnatural amalgam of dissimilar species. Which, in fact, it was. Instead of seeing an alluring full-sized mermaid of legend, visitors to the museum found a small, taxidermically preserved specimen with the withered head and abdomen of a monkey grafted onto the tail of a fish. It was described by one critic as the “incarnation of ugliness.”
The Feejee Mermaid was not new when Barnum introduced it. The mermaid had been on display for months in a museum in Boston and had been exhibited twenty years earlier in London. It took the showmanship and promotional skill of P. T. Barnum to make the Feejee mermaid a star. In addition to the misleading advertisements, Barnum created the story of Dr. J. Griffin, an English naturalist who captured the mermaid near the island of Feejee.
Not everyone believed in the mermaid’s authenticity. The Feejee Mermaid had as many skeptics as it had avid believers and heated debates went on wherever it as exhibited. P. T. Barnum did not care whether people believed in the mermaid or not, as long as they came to see it. As he (allegedly) said, “The bigger the humbug, the better people will like it.”
Barnum, P. T.. Struggles and triumphs, or Forty years' recollections of P.T. Barnum written by himself. Author's ed. Buffalo, N.Y.: Warren, Johnson, 1873.
Boese, Alex. The museum of hoaxes: a collection of pranks, stunts, deceptions, and other wonderful stories contrived for the public from the Middle Ages to the new millennium. New York, NY: Dutton, 2002.