Sir Edward Dering, by William Dobson
This week, we look at a love story. Albeit, a love story that reads more like one of Shakespeare’s more robust comedies.
Edward Dering (1598-1644) was a distinguished figure. He had the distinction of being born in the Tower of London, as his father was then deputy-lieutenant of the site. After he graduated from Cambridge, Dering devoted himself to
As a social realist painter, William Glackens often depicted scenes of day-to-day life he witnessed in city parks, particularly Washington Square Park. (Makes sense; he lived on Washington Square South in the early 1900s.) This time, he took his inspiration from Central Park. “The Drive, Central Park” was completed in 1905 and likely shows the […]
The Web of Arachne
by Fernand Le Quesne
(1856 - 1932)
Colorized by Curtis Byrne
(Click image to enlarge)
HE WEB OF ARACHNE
It's great to see what this painting may have originally looked like.
As I recently hung my framed print of The Web of Arachne, by Fernand Le Quesne (1856 - 1932), in my new place, I wondered why the artist didn't colorize it? Then I
John Dilleber was a wealthy 28-year-old wholesale liquor dealer who lived and worked in New York City. In June 1975, he divorced his wife, left his home, and took up residence at the Westminster Hotel on 16th Street.
It was Dilleber’s habit, after dinner, to wander the halls of the hotel while smoking a cigar. Romaine Dillon, another of the Westminster Hotel’s outcast residents, was much
On this date in 1956, three Greek Cypriot nationalists were hanged by the British Andreas Zakos, Charilaos Michael and Iakovos Patatsos were all members of the EOKA guerrilla movement, which fought the British for independence during the late 1950s. Nine of their ranks overall were executed in 1956-1957, including the three on August 9, 1956 […]
[Editor’s note: Guest writer, Peter Dickson, lives in West Sussex, England and has been working with microfilm copies of The Duncan Campbell Papers from the State Library of NSW, Sydney, Australia. The following are some of his analyses of what he has discovered from reading these papers. Dickson has contributed many transcriptions to the Jamaica Family […]
In August 1842, a sensational new curiosity called the Feejee Mermaid was exhibited at P. T. Barnum’s American Museum in New York City. Though it was advertised throughout the country with pictures of traditional, topless female mermaids, the real Feejee Mermaid looked more like an
unnatural amalgam of dissimilar species. Which, in fact, it was. Instead of seeing an alluring full-sized mermaid of legend, visitors to the museum found a small, taxidermically preserved specimen with the withered head and abdomen of a monkey grafted onto the tail of a fish. It was described by one critic as the “incarnation of ugliness.”
The Feejee Mermaid was not new when Barnum introduced it. The mermaid had been on display for months in a museum in Boston and had been exhibited twenty years earlier in London. It took the showmanship and promotional skill of P. T. Barnum to make the Feejee mermaid a star. In addition to the misleading advertisements, Barnum created the story of Dr. J. Griffin, an English naturalist who captured the mermaid near the island of Feejee.
Not everyone believed in the mermaid’s authenticity. The Feejee Mermaid had as many skeptics as it had avid believers and heated debates went on wherever it as exhibited. P. T. Barnum did not care whether people believed in the mermaid or not, as long as they came to see it. As he (allegedly) said, “The bigger the humbug, the better people will like it.”
Barnum, P. T. Struggles and triumphs, or Forty years' recollections of P.T. Barnum written by himself. Author's ed. Buffalo, N.Y.: Warren, Johnson, 1873.
Boese, Alex. The museum of hoaxes: a collection of pranks, stunts, deceptions, and other wonderful stories contrived for the public from the Middle Ages to the new millennium. New York, NY: Dutton, 2002.