No. 452
Crime, Eccentricity, and the Sporting Life in 19th Century America.
December 13, 2019

Floating Circus.

Spaulding & Rogers’s Floating Circus Palace.
April 11, 2016
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On this date in 1994 — the ten-year anniversary of the robbery-murder that earned him his death sentence — Raymond Carl Kinnamon died to lethal injection despite his loquacity. A career criminal with 17 felony convictions and three prison stints previously to his name, Kinnamon robbed a Houston bar at gunpoint on December 11, 1984. […]
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Executed Today - 12/11/2019

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Lizzie’s Old School Chum, Augusta Poole (Mrs. Cyrus Tripp) Shelley M. Dziedzic, October 2019 (all rights reserved) During the hot …

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Lizzie Borden: Warps and Wefts - 10/19/2019

Via Newspapers.com The unofficial motto of Austin, Texas is "Keep Austin Weird." In early 1964, someone or something certainly obliged. The "Austin American," January 29, 1964: Can the mystery blast that shook Austinites Monday at noon be linked to puzzling reports of flying objects later the same day in Fort Worth and Dallas? Perhaps not, but the eerie events have one thing in common:
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Strange Company - 12/11/2019
Jeff and Joe Soapy Smith buries Joe Simmons The Illustrated Police News April 9, 1892 (Click image to enlarge) oe Simmons was a tall, slender gambler known to many as “Gambler Joe” Simmons, a member of the Soap Gang who managed Soapy Smith's Tivoli Club in Denver, 1890, and Soapy's Orleans Club in Creede, 1892. According to William Devere’s poem "Two Little Busted Shoes," Simmons
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Soapy Smith's Soap Box - 3/25/2019
William J. Elder, aged 61, was addicted to drink and when under its influence was violent and uncontrollable. His wife tolerated his abuse as long as she could then packed up and moved out of their farm in Hammonton, New Jersey, leaving behind her two sons, Robert and Mathew. In 1887, 19-year-old Robert Elder moved out of his father’s house as well. 12-Year old Mathew Elder was still
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Murder By Gaslight - 12/7/2019

It’s the blue hour in “Rainy Day, New York,” a 1940 painting by Leon Dolice—a Vienna-born artist who came to Manhattan in the 1920s. The sun has sunk below the horizon, and sidewalks and buildings are cast in a blueish glow, illuminated by streetlamps, car headlights, and the reflection of rain-slicked streets. I’m not sure […]
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Ephemeral New York - 12/9/2019
[Editor’s note: Guest writer, Peter Dickson, lives in West Sussex, England and has been working with microfilm copies of The Duncan Campbell Papers from the State Library of NSW, Sydney, Australia. The following are some of his analyses of what he has discovered from reading these papers. Dickson has contributed many transcriptions to the Jamaica Family […]
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Early American Crime - 2/7/2019
Gambler Vs. Cook. | Killed by a Baseball.

Floating Circus.

Floating Circus

The pictures which we give herewith is an accurate representation of what is called the Floating Palace, as it lately appeared at Mobile, Ala. It was built for the purpose of equestrian exhibitions, and it has been improved at the Levee in New Orleans, and at various places on the Mississippi River, during some length of time.

It was rather a novel idea to construct a curious ship—a regular moveable theatre; but it is said to have succeeded far beyond the expectations of its owners. It is not a sham built affair, but it is really very finely fitted, and perfect in every respect. The interior is a most commodious amphitheatre.

The “dress-circle,” as it is termed, consists of eleven hundred cane bottom arm-chairs, each numbered to correspond with the ticket issued.

The “family-circle,” comprises cushioned settees for some five hundred persons, while the residue of the accommodations are comprised in nine hundred gallery seats. The amphitheatre is warmed by means of hot water pipes or steam, and altogether it is an exceedingly comfortable and pleasurable exhibition-room. The interior is lighted bye over a hundred brilliant gas jets, forming a great ornament in their construction, and supplied by a gas apparatus on board—this furnishes the entire light for the vestibule, the halls, offices, saloons, green rooms, dressing-rooms and the stable. A chime of bells is attached to the structure, and discourses most eloquent music previous to each performance, while Drummond-lights render the neighborhood of the floating palace brilliant during the exhibition. Every deception to delude the visitor into the idea that he is in a spacious theatre in shore is used, and it is difficult to realize that one is on the water during the performance. The whole is improved by Spalding & Rogers’s united circus companies. Taken altogether it is a most curious, original and interesting affair, and we have therefore selected it as something that would interest our readers. It is now in active operation in the waters of Alabama, and attracts as many visitors to see the structure itself, as to witness the excellent performances that are conducted within its walls by the enterprising managers.

 


Reprinted from Gleason's Pictorial Drawing-Room Companion, February 19,1853.