No. 484
Crime, Eccentricity, and the Sporting Life in 19th Century America.
August 14, 2020

Floating Circus.

Spaulding & Rogers’s Floating Circus Palace.
April 11, 2016
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“The Witches’ Cove,” Follower of Jan Mandijn This week's Link Dump will leave you on the edge of your seat! In one manner or other. Who the hell was Bible John? Why the hell did this woman tickle so many chins? What the hell was the Hollinwell Incident? What the hell is the Waffle Rock? Indigenous Australians had banana farms. Meanwhile, in the world of paddleboarding goats...
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Strange Company - 8/14/2020

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There are so many questions and things to ponder when considering the Borden case in its entirety, but let’s just …

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Lizzie Borden: Warps and Wefts - 8/8/2020

Welsh coal miner Dic Penderyn was hanged on this date in 1831 to crush a labor rising. Richard Lewis was his real name — he got his nickname from the village of his residence, Penderyn, which is also true of Wales’s most famous whisky — dug carbon out of the ground to serve the mighty […]
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Executed Today - 8/13/2020
The Web of Arachne by Fernand Le Quesne (1856 - 1932) Colorized by Curtis Byrne (Click image to enlarge) HE WEB OF ARACHNE COLORIZED. It's great to see what this painting may have originally looked like.      As I recently hung my framed print of The Web of Arachne, by Fernand Le Quesne (1856 - 1932), in my new place, I wondered why the artist didn't colorize it? Then I
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Soapy Smith's Soap Box - 8/4/2020
John Dilleber was a wealthy 28-year-old wholesale liquor dealer who lived and worked in New York City. In June 1975, he divorced his wife, left his home, and took up residence at the Westminster Hotel on 16th Street.  It was Dilleber’s habit, after dinner, to wander the halls of the hotel while smoking a cigar. Romaine Dillon, another of the Westminster Hotel’s outcast residents, was much
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Murder By Gaslight - 8/8/2020

As a social realist painter, William Glackens often depicted scenes of day-to-day life he witnessed in city parks, particularly Washington Square Park. (Makes sense; he lived on Washington Square South in the early 1900s.) This time, he took his inspiration from Central Park. “The Drive, Central Park” was completed in 1905 and likely shows the […]
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Ephemeral New York - 8/10/2020
[Editor’s note: Guest writer, Peter Dickson, lives in West Sussex, England and has been working with microfilm copies of The Duncan Campbell Papers from the State Library of NSW, Sydney, Australia. The following are some of his analyses of what he has discovered from reading these papers. Dickson has contributed many transcriptions to the Jamaica Family […]
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Early American Crime - 2/7/2019
Gambler Vs. Cook. | Killed by a Baseball.

Floating Circus.

Floating Circus

The pictures which we give herewith is an accurate representation of what is called the Floating Palace, as it lately appeared at Mobile, Ala. It was built for the purpose of equestrian exhibitions, and it has been improved at the Levee in New Orleans, and at various places on the Mississippi River, during some length of time.

It was rather a novel idea to construct a curious ship—a regular moveable theatre; but it is said to have succeeded far beyond the expectations of its owners. It is not a sham built affair, but it is really very finely fitted, and perfect in every respect. The interior is a most commodious amphitheatre.

The “dress-circle,” as it is termed, consists of eleven hundred cane bottom arm-chairs, each numbered to correspond with the ticket issued.

The “family-circle,” comprises cushioned settees for some five hundred persons, while the residue of the accommodations are comprised in nine hundred gallery seats. The amphitheatre is warmed by means of hot water pipes or steam, and altogether it is an exceedingly comfortable and pleasurable exhibition-room. The interior is lighted bye over a hundred brilliant gas jets, forming a great ornament in their construction, and supplied by a gas apparatus on board—this furnishes the entire light for the vestibule, the halls, offices, saloons, green rooms, dressing-rooms and the stable. A chime of bells is attached to the structure, and discourses most eloquent music previous to each performance, while Drummond-lights render the neighborhood of the floating palace brilliant during the exhibition. Every deception to delude the visitor into the idea that he is in a spacious theatre in shore is used, and it is difficult to realize that one is on the water during the performance. The whole is improved by Spalding & Rogers’s united circus companies. Taken altogether it is a most curious, original and interesting affair, and we have therefore selected it as something that would interest our readers. It is now in active operation in the waters of Alabama, and attracts as many visitors to see the structure itself, as to witness the excellent performances that are conducted within its walls by the enterprising managers.

 


Reprinted from Gleason's Pictorial Drawing-Room Companion, February 19,1853.